With just a little over a month to go before this call for submissions closes, I thought I’d remind all you authors out there that your stories need to be told! Please pass this along to all your writer friends out there! ~DD

* * * * *

Sex Objects: Hot He-Man Erotic Romance for Women
Editor: Delilah Devlin
Publisher: Cleis Press in Fall 2013
Deadline: October 1, 2012

SEX OBJECTS: HOT HE-MAN EROTIC ROMANCE FOR WOMEN is open to all authors.

Editor Delilah Devlin is looking for hetero “super alpha” stories for a romantic erotica anthology tentatively entitled: SEX OBJECTS: HOT HE-MAN EROTIC ROMANCE FOR WOMEN.

What is it about heroes like Superman, Iron Man or Thor that revs our engines like no other? Is it the suit? The manly physique? Or is it the courage they display, wading in where others fear to go, to save the damsel, the city, the Earth? Well, we don’t want Superman or Thor this go-round! Are there real-life heroes who inspire the same lustful fascination? Kickass iconic heroes who enter danger zones in the name of duty, honor, country—or maybe love—who conjure images of hard, chiseled bodies, deadly glares and camouflaged features?

Sex Objects will seek stories that satisfy the reader who craves the romantic idea of that “super alpha” man. The stories will be contemporary. While traditional themes are likely to be featured, writers are encouraged to imagine greater in order to create tales that, while featuring this iconic hero, may also surprise.

Imagine the Navy SEAL sent on a rescue mission; the damaged Army Ranger home from war; the para rescue team member jumping into frigid waters; a SWAT team member entering a human trafficker’s den… These “super alpha” heroes can be military members and based in far-flung places around the world or the smoke-jumper living next door. Then imagine the romantic possibilities of being held against that massively muscled chest by a man whose mission is to protect and serve…

Published authors with an established “super alpha” world may use that setting for their original short story.

The stories may be as kinky or vanilla as the writer wants—but a deep sensuality should linger in every word. Exotic locations and scenarios are welcome. Keep in mind there must be a romantic element with a happy-for-now or happy-ever-after ending. Strong plots, engaging characters and unique twists are the ultimate goal. Please no reprints. We are seeking original stories.

How to submit: Prepare your 1,500 to 4,500 words story in a double-spaced, Arial, 12 point, black font document with pages numbered (.doc, NOT.docx) OR rich text format. Indent the first line of each paragraph half an inch and double space (regular double spacing, do not add extra lines between paragraphs or do any other irregular spacing). US grammar (double quotation marks around dialogue, etc.) is required.

In your document at the top left of the page, include your legal name (and pseudonym if applicable), mailing address, and 50 words or less bio in the third person to sexobjectsmanlyerotica@gmail.com. If you are using a pseudonym, please provide your real name and pseudonym and make it clear which one you’d like to be credited as. Authors may submit up to 2 stories. Delilah will respond in January 2013. The publisher has final approval over the stories included in the manuscript.

Payment will be $50.00 USD and two copies of the published book upon publication.

About the editor: Ms. Devlin has published over a hundred erotic stories in multiple genres and lengths. Her published print titles include Into the Darkness, Seduced by Darkness, Darkness Burning, Darkness Captured, Down in Texas, Texas Men, Ravished by a Viking, and Enslaved by a Viking. Her short stories are featured in Zane’s Purple Panties, and Cleis Press’s Lesbian Cowboys, Girl Crush, Fairy Tale Lust, Lesbian Lust, Passion, Carnal Machines, Dream Lovers, Lesbian Cops, Best Erotic Romance, and Girl Fever. She is published by Atria/Strebor, Avon, Berkley, Black Lace, Ellora’s Cave, Harlequin, Kensington, Mischief, Running Press and Samhain Publishing. In Fall 2011, she debuted her first anthology with Cleis Press, Girls Who Bite. In Summer 2012, Cleis Press released She Shifters and Cowboy Lust.

Direct any questions you have regarding your story or the submission process to Delilah at sexobjectsmanlyerotica@gmail.com.

A Quick Note: The She Shifters Blog Tour and Fournicopia Blog Blitz continue!
Up for grab are a ton of great prizes. Be sure to hit Megan Slayer’s blog
and Seductive Musing today for yet more chances to win! ~DD

What Robs You of Your Time to Write

My intentions to stay on track are great or that’s what I like to tell myself. Time management is a balance. A precise schedule that holds everything together. But there are days when no matter what I did nothing worked out and these days would run into weeks. I had to find out what was robbing me of my time so I made a list.

What took up time in my day.

Work, eating, cleaning, feeding animals, laundry, e-mail, blogs and sleep. By the time I got home, cleaned up, ate and worked on e-mails I was exhausted. In my head I had hours during the day to write. Why wasn’t it working out in my real life?

I found an article and it talked about writing out a time log. Spend a few days and jot down everything you do.  It worked out great and showed me how I was wasting so much time.  So I decided to share.

Preparing and writing your time log

You don’t need to keep writing a time log permanently. It is sufficient to do it for 3-7 days.  When you write a time log, make sure you don’t miss even the minor activities. Don’t let your time wasters hide there. Take a sheet of paper and divide it into columns listed below.

• Time
• Activities
• Scheduled
• Interrupted
• Urgent
• People (involved)

Then continue with activities you would normally do that day. On the way, update your time log. Do it either every time you switch to a new activity or at some short time intervals, like 10-20 minutes. Add entries to your “Time” and “Activities” column, and try to put marks like “Yes” or “No” in the “Scheduled”, “Interrupted”, and “Urgent” columns. Where relevant, make short notes on what people you spend time with too.

When you have your time log written, you can move to the most important part, the analysis. Review your records and try to get answers to the following questions.

• What percentage of your time is spent in each of the      different areas of your life? How is it divided between Work, Business,      Family, Recreational, writing?
• What percentage of your activities are important?
• Are urgent?
• What people you spend more time with?
• What percentage of your activities go as planned?
• What are main interruptions?

Then think of possible adjustments and action steps. For example:

• Are there any activities you can cut back on?
• Is there anything you can delegate or simplify?
• Can you save time by grouping related tasks, like      shopping?

Once you see everything you do on paper it will amaze you on how you can add a little more time to your writing.

My time is better spent now on getting my book ready for its release.

 Rescued from the Dark

Set to be released end of 2012
Published through Black Opal Books

What if you woke up from a nightmare, trapped in a world of darkness, with no memory of how you got there? Rescued from the Dark is a passionate, gripping story about FBI agent, Jason Michaels, confronting his duty to his country, and struggling with his feelings for a woman with no memory of their love.

Undercover Agent, Jason Michaels, infiltrates the terrorist cell and risks everything, even his life, to save the FBI intern who stole his heart, then walked away. Once Mercy wakes from her coma Jason struggles with the fact that she does not remember what happened, but anguishes with the idea that she believes their unborn child belongs to her ex. Jason soon realizes the terrorists vow to get her back to claim their secrets locked in her memory, no matter what the cost.In a race against time, Jason and Mercy struggle to fight their attraction, and put their differences aside, as they launch a manhunt to save their country and each other.

 Lynda Kaye Frazier
https://lyndafrazier.blogspot.com
www.lyndakayefrazier.com
Facebook- Lynda Kaye Frazier- Author
Twitter- lynda_kaye
Writing is my passion, Reading is my Love

Big stakes make for big excitement.

How do you start building a rich paranormal world from scratch? Which comes first, the chicken or the egg? The external plot or the characters?

For me personally, I start with the kind of creatures I want to populate my world. Do I need vampires? Mages? Demons?

I ask myself who will be their natural enemies. For this, I might accept common lore (Hollywood or myth) to start my list.

Then I choose my hero or heroine’s particular paranormal persuasion, starting with the main protagonist of the story. Whatever he or she is, I look for the one thing they shouldn’t fall in love with. Think about a vampire who falls in love with her natural enemy, a werewolf, for opposites. A mage-priest who falls in love with a demon.

If I know my character well enough at the start of my planning/dreaming, I might choose a being that should be compatible, but use the same sorts of “human” conflicts to build their opposition. A Born vampire who won’t let herself fall in love with her “turned” lover because she’s already faced devastating personal loss. Because even an immortal lover might be killed.

Then I crawl inside their skins for a while and see the world through their eyes. What’s their every day life like? Where do they live? What do they eat? What do they need to exist? Blood? Sex? Psychic energy?

How might their lives be challenged? Their existence threatened? If they are colonists on a new world who think they’ve found Eden, what’s the worst that could happen? Is there a serpent in the forest? A dragon in a cave that preys on them at night? A Hell Mouth opening to release demons?

Paint the world you build with details of their ordinary lives as well as the extraordinary sights and experiences.

Create a Legend.

Paranormal stories, whether erotic or vanilla-flavored romances, that stand the test of time often have a legend behind the core of the external plot.

Think of Buffy and her “In every generation, there is only one…” slayer legend.
Or how about the legend of the Aztec Gold in the first Pirates of the Caribbean?

One legend was presented at the start of every episode of Buffy through the first couple of seasons, then dropped because every one knew it by then.

The other was presented throughout Pirates, a piece at a time to intrigue the audience.

Both set the stage for how the story would unfold.

I don’t think every paranormal story has to have a legend, but if it fits with the type of tale (especially any quest story or a coming-into-powers story), it can make your novel that much richer.

If you are a true plotter, you will want to nail your legend up front to make sure it resonates throughout. If you are a pantser, you may discover your legend as you write. At some point, if you will use a legend as a plot device, you will want to articulate it.

What should a legend include? An element of fated duty, a hint of some horrible apocalypse if the journey is never started, or a reward when the quest is won.

LEGEND IS NOT HISTORY. So don’t confuse the evolution of your creatures or the apocalypse that forced your aliens to flee their home world with any legend.

How do you come up with your own legend?

You can steal. Think of the “In every generation there is only one” legend and make your heroine The One who guards the portal to another dimension rather than a slayer.

Or as the events in your book begin to unfold, think about what a bard might say to some future generation listening to the tale of your quest. What elements might be put into the legend groove?

When writers talk about building a “world”—what is a world?

A world isn’t necessarily a “where”. It’s the congregated circumstances your characters work inside. So, what the heck does that mean?

For the TV series, Buffy the Vampire Slayer, Buffy’s world is set in Sunnydale, California. At the start of her journey, she’s in high school and the most important activities she’s involved in are her cheerleading, passing her classes, and of course, boys. All by itself that can be pretty interesting stuff, right?

Joss Whedon added the whole “You are the One” role that Buffy is forced into accepting as THE Vampire Slayer, and suddenly, there’s a whole new texture to her world. Monsters come out of the woodwork, a Hell Mouth opens to release demons on the world, and she’s the only thing standing between the innocent human world and The Big Bad.

She comes into her “weapons”, her powers, which include her super-human speed, strength and fast healing. She’s a natural with cross-bows, pointy stakes and knows instinctually how to kill many of the beasties she encounters.

All the pieces fit together like a tapestry, and her journey convinces us this world exists, just as she must be convinced every step of the way.

Now her problems are bigger, her conflicts are bigger, and the antagonists that she must face in each episode of her total journey are bigger. The external plot really forces the growth of her character.

What was Buffy’s world? Every aspect of her life.

Her home life where she hides her role from her mother while trying to explain why she sneaks out at night, why her grades suffer, and why she keeps getting into fights.

Her inner life which she hadn’t really thought much about until she had to “dust” a vamp or two. Even then, she was never convinced she had the spiritual strength of conviction or the intelligence necessary to be the last hope of the world—not until the very last episode when she comes up with the plan to share her “power” with her “slayers-in-waiting”.

Her romantic life which gets pretty complicated when she falls in love with the very creature she’s destined to kill—and where making love with him can turn him into a soulless creature if he experiences that one moment of true happiness.

So, the world you build contains all the aspects of your character’s existence.

Why does it matter that every conflict, every hero, every villain, every resolution has to be bigger in a paranormal story?

1) You can have a true “super” hero. And don’t we all want guys who can leap tall buildings in a single bound, are stronger than Popeye, and better in bed than Casanova? When we suspend belief while reading a work of fantasy, it doesn’t seem too silly at all!

2) Doesn’t a reader want to escape into fantasy and join the quest to find The Holy Grail rather than looking for matching socks coming out of the dryer?

3) When our heroine faces pure rip-your-eyeballs-out evil, we don’t really want to believe the characteristics embodied by that villain truly exist. We can be scared, revolted, fascinated, but because it’s a good paranormal tale, we don’t have to close the book and wonder what the world’s coming to.

4) Don’t we all want to save the world?

“Take a blow torch to your belly fat!” That was the subject of a spam mail I deleted this morning. It’s a pretty effective sentence. Gives the reader an instant image and the theme of the spammer’s message. Whoever wrote it has real talent.

So does whoever wrote “V is for Vampire” for Powerman 5000.

“Nobody loves you when you’re skin is so pale,
and your teeth are gettin’ sharpened and your black friggin’ nails.
Nobody needs you when your eyes turn wide
and the light of day can keep you up all night,
because V is for Vampire, V is for blood…”

Maria Mena’s song “Sorry” paints a picture and grabs your emotions.

“He grabs my wrists
as my fingers turn into angry fists
and I whisper, ‘Why can’t you love me?
I’ll change for you’…”

Don’t you feel her anguish?

When the singer whispers these words, don’t you feel his?

“He said, ‘I’m sorry, so sorry,
I’m sorry, I am sorry’…”

All these writers paint a picture in a few well-chosen words, and we novelists have a hard time telling a story in a whole friggin’ book. We all use words. We all sweat over them. They have to convey a single message, a single vision, a single scene in a person’s life. A novelist tries to drop a reader into another world and transport them into another person’s life in 400 pages.

I’m not saying a novelist’s job is harder. I’m just thinking I would have sucked as a spammer or a songwriter.

Some authors love the revision process, but I have to think they love it like people love exercise or spinach—they have to do it, so why not make the best of it? I’ll admit right up front, I HATE revisions.

I’m in the middle of that process right now with a short novella. I don’t often get to the end of a novella unsatisfied with what I’ve done, but this time I attempted to write something a little more hardcore erotica than my usual fare. Okay, so some of you will be asking how the hell can she do that? Do you remember the scene in Saddled?!

Well, this one is more hardcore (even if the sex is still my smutty brand of unrepentent porn) because it’s more heavily invested in BDSM. While I slammed away pages of what my main couple were doing, I failed to show their growth as people and their growing affection for each other. I may write some raunchy stuff, but I don’t ever forget that these characters have to feel real and most real people have emotions that complicate their individual journeys.

I’m trying to go about this methodically so that I don’t get overwhelmed or discouraged by the work needed to spank this puppy into shape.

1) I handed the story off to Beta Readers (test readers) who know how I flow. These readers knew I needed them to be very honest about whether they liked it or not, and the fact that I knew there was a problem. I asked for them to tell me if they could put their finger on what was missing because at that point I was too close to the work and couldn’t see it .

2) I took their comments, ruminated on them for a while, then passed the story to my crit partner for her thoughts. She came back with “a Dom wouldn’t do this” and “this was too much narrative” along with some very clever suggestions for rewrites.

3) I opened a fresh document, starting again with that pristine white page, and cut and pasted what I felt could stay in the that first scene, and then began to craft new words around that flawed bit of narrative, working at layering in more dialogue, more of the emotional reactions of the characters, and looking for the humor I’d sadly forgotten completely.

I have a very long way to go to make this one publishable, but I will take one chapter at a time through this process until I get to the end. Then I will send it once again to my Betas for a sanity check, and to my critique partner for her thoughts. Who said writing had to be a solitary effort. For me, it often works better if I have that frigging awesome village at my back.

I’ll admit I have a fondness for writing short stories. I’m an author who enjoys a challenge. Calls for submissions for erotic collections offer me an outlet for my competitive spirit. I’m known as a novelist of erotic romance—not so known in the erotica world. So when I receive acceptance for a short erotic work I feel validated as a writer.

I’ve been lucky to appear in the following collections so far: Zane’s Purple Panties, Black Lace’s Sexy Little Numbers, Cleis Press’s Lesbian Cowboys, and Harlequin Spice’s Naughty Bits.

I also will appear in the following Cleis collections this year: Girl Crush, Fairy Tale Lust, and Lesbian Lust.

Something I’ve done in the past with my local RWA chapter and with the Rose’s Colored Glasses loop, when I find a call that interests me, is offer a challenge to other writers to write a short for that collection. We share ideas and critiques. Writing the shorts can offer an experienced writer a quick-win and sharpen flabby skills. For the unpublished author, it provides a supervised challenge to improve budding skills.

Why should authors consider writing shorts? For one thing they don’t require a huge investment of time so you can work on a short story on the side while writing the bigger book. In addition, writing short requires an author to choose every word carefully and make every one count. It sharpens your skills.

It’s been a while since I chimed in with a challenge to my writer’s groups, but looking at the calls for submission on the ERWA website has me stoked. The site lists many cool, different sorts of projects to dive into. I am going to challenge myself to write a story for four different calls. (Egads! Now you’ll be able to track how often I get rejected! :confused:)

I’d love some company while I write these. If you are an erotica or erotic romance writer, or have thought about taking the plunge, this is a cool way to try it out. If you’d like to join me, let me know. I’d love a partner or five. We could bounce ideas off each other and critique each other’s work. We might not sell, but the effort is never wasted. What you produce could be the start of a longer book, or something you could offer as a sample of your writing for free on your website.

These are the calls I’m interested in:

Due 6/1/10: Big Book of Quickies – No more than 1200 words
Due 6/1/10: Carnal Machines – Steampunk Erotica – 1500-4500 words
Due 7/15/10: Dream Lover: Erotic Paranormal Romance – 2000-4500 words
Due 8/1/10: Lesbian Cops – 2500-6000 words