NaNo Day 10:
Viking-2—1671 words
TW—462 words
A Readerās Top Ten Guide for A Great Romance
by Marie Harte
Thanks, Delilah, for letting me blog here today. I wanted to write something different, so I switched hats from writer to reader. And I was off and runningā¦
As a writer, I like to know what readers want. Iām not so much into trends. I donāt like jumping on the vampire bandwagon just because those books might be popular. If I have an actual vampire story in mind, thatās something else. Iām talking about common threads that appeal to readers. Strong heroines, alpha males, sexual tension, that kind of thing.
Then I had a thought. Hey, Iām a reader. Why not list what Iām looking for in a story? I can read a three to four hundred page book in one sitting in a few hours, easy. I canāt say how many books I read in a month or year, but during my crazy (book-obsessed) days that fluctuate from month to month in between deadlines, I can easily read two or three in a day, especially if the stories are shorter. Of course, a lot of that depends on time, too, because I do have a family and a day job writing.
From what Iāve read and seen over the years, I have a lot in common with the average Sally Reader. So hereās my top ten list of what constitutes a great romance, in no particular order.
1. Likeable characters. The hero and heroine (or hero and hero, whatever floats your boat) donāt have to be the nicest people on the planet, but at some point they have to be likeable, and not ten pages from the end. Thereās nothing worse than trying to read a book about people that are either whiny, annoying, or TSTL (too stupid to live) for 350 pages.
2. Sexual tension. I write erotic romance, and I like to read it. But when the characters hop into bed on page 3, it kind of takes away my enjoyment to see them struggle for it. Now a few authors have made this work by throwing in the requisite plot problems and angst, but by and large the easy hookup doesnāt appeal to me.
3. Gratuitous sex. Yes, I feel awful for saying this. Especially since for so many years I read stories where the characters could barely hold hands before the author cut to a new scene. Erotic romance has āeroticā in the title for a reason. It involves sex. But sex for sexās sake shows. When the physical builds the emotional, it works. You can tell when it doesnāt.
4. The right angst. I am drawn to tortured heroes and heroines. I think we all are. Itās normal to want to see people build themselves back up after being thrown down a peg or two. But when the characters suffer page after page after page, it takes away from the joy to be had in the story. And real or not, rape scenes do nothing for me. I donāt like reading about it, and I donāt even like references to it with the main characters. Then again, thatās a personal pet peeve, but we are talking fiction, a place where anything normally goes. And hey, this is my list.
5. Character growth. I find it common anymore to read a book where one of the two characters grows but the other remains stagnant. Itās like the author puts so much into making the heroine a strong woman, she forgets that the hero is more than a foil for the heroine, but an actual part of the story. Let him grow too, damn it!
6. Humor. Just because a book is dark doesnāt mean it canāt have funny moments. Fiction mirrors reality, right? Well, people do laugh at funerals. Life isnāt all one shade, but a rainbow of emotion. Throw it all in there, I say.
7. Believable conflict. Thereās nothing worse than reading a story where the hero and heroine donāt get along because of a simple misunderstanding. One short conversation between the pair would eliminate all problems and make the whole story crumble. Thatās not believable conflict. Layer stuff in there, make us, the readers, want to see how they solve their problems. A phone call where the heroine admits she threw out his favorite shirt, and sheās sorry, and why canāt they all just get along, doesnāt cut it.
8. Chemistry. The main characters have to have it, or the story wonāt work. Just because an author creates the pair or threesome or group involved doesnāt mean they fit. And yeah, Iāve read romances where the hero seems better suited to a secondary character and the heroine should be lesbian. Itās like the author doesnāt know her characters.
9. If everyoneās special, no oneās special. One author I used to love and now canāt read anymore gives all her characters god powers. Yeah, all of them. Theyāre all immortal, so whereās the scare factor? Why should the characters worry when they can snap their fingers and have an HEA whenever they want? And seriously, is every character really that handsome, pretty, white, skinny-with-boobs or tall?
10. Donāt break the rules. Authors create worlds and a set of rules that go with them. So when I read about a hero who canāt do X, then thirty pages in does X, it annoys me, especially if thereās no explanation as to why he can do X. Itās like the author has forgotten her own rules. Sure there are exceptions to the rules, but if there are too many, why have the rules in the first place?
I love to read and always will. But as my budget gets tighter, my choices in what I read narrow. I might chance a new author when all my favorites have nothing out, but burn me once, and I probably wonāt be back to read more. Even my favorites have only so much leeway before Iām moving on to someone new. And with the sheer breadth of choices out there, thanks to epublishing and our friend, the Internet, I donāt have to search far and wide for a new and temping read anymore.
Happy reading!
Marie
www.marieharte.com