Disrupted Schedules and Kitty Alarms

This week is a killer. I’m trying to finish a book with my deadline looming, and I have so much other stuff to do. It’s frustrating. A lot of my time revolves around taking my ninety-year-old mother to her doctor appointments, to get her hair done, etc. I don’t mind; I love the time we spend together, and I’m thankful for it. Except it doesn’t allow me enough time to write.

Disrupted schedules are the bane of a writer’s existence. I love having big arcs of time so I can dig deep into my story and get into a rhythm, but then I have to stop and take my mom to the eye doctor or her dentist or maybe even keep my granddaughter for a couple of hours. The next day is what I call “hair day”, that lovely weekly appointment marked for my mother’s beauty salon appointment from now until eternity. Hair appointments are non-negotiable. At least I can take my laptop with me and write in the back of the shop while she’s getting beautiful. Then the next day…

You see how it goes. And then there’s the lack of sleep caused by my furry little friends. My sweet, innocent, unassuming little feline pals. The three wicked, crafty little minxes that wake me up an hour before my alarm goes off — usually by playing with the window blinds — because they either want to go outside or they need water or food. Seriously, who needs to eat at four a.m.? I do love those cats, I really do… but their kitty alarm clocks need to be reset and I haven’t figured out how to do that yet.

What about you? How do you cope with disrupted schedules? I carve minutes out of all the busy days, minutes in which I can at least jot down a few plot points or make character notes. I’m interested to find out what you do about time management… and if you, too, have an annoying little kitty alarm clock.

Somehow, amid the chaos, I do manage to find time write. My genre of choice is romantic suspense with hot cops and big guns. Please check out my latest ebook release from Desert Breeze Publishing, DELIVERANCE FROM EVIL, the fourth book in my Keller County Cops series. In this book, Tessa Doucet studied mortuary science because the dead can’t hurt her. Then a monster from her past turns up on her embalming table, and she’s forced to confront the demon she thought she’d put to rest. Disturbed by the case Tessa stirs up, Detective Cash Starkey finds himself falling for her, even though he swore to keep his distance. He doesn’t want a relationship, especially not with a woman running from her past. Yet when Tessa’s life is threatened, he runs into the fray, and together they defeat her demons and put the past behind them.

Buy link:  http://stores.desertbreezepublishing.com/-strse-301/Keller-County-Cops-Book/Detail.bok

Also… hope you’ll check out my new free author apps for the iPhone, the iPad, and most Android devices available now in the iTunes store and the Android market. Such an easy way for my readers to keep up with all my books, connect with my social networking sites, and get updates on new titles and where I’ll be signing. I’m really jazzed about this!

And please look for these upcoming titles from Desert Breeze later this year:

Emily’s Nightmare — August
Haunted Memories — October
KKC Book Five: Written in Blood — December

Website:  http://www.melanieatkins.com
Blog: http://melanieatkins.wordpress.com
Facebook:  http://www.face-book.com/melanie.atkins
Twitter:  http://twitter.com/melanie_atkins

Today’s the last day to enter the New Dragon Cup contest!
Click on the link for the entry rules! ~DD

Why A Ménage

First let me thank Delilah for hosting me on her blog today. I might get a little deep because it’s been that kind of a week.

Have you ever had a fantasy? Men and women are different. They have different kinds of fantasies. To be perfectly honest, women are different—they have different kinds of fantasies. So have you ever had a fantasy?  Do you fantasize that you’re famous? Or maybe that you’re the go to girl or go to guy for someone who is famous? Do you want to be a sports star? Do you have to have Josh Hamilton’s batting record? Do you have a fantasy to be a rock star or actor or let’s just get down to brass tacks, do you just fantasize that you’re rich?

Fantasies are important because fantasies are goals. They provide us with an innate sense of reaching for more than who we are or who we want to be.  Sometimes they are simply escapes. An escape from our ho-hum life and too many errands and schedules and bills and frankly, who doesn’t want to fantasize their way out of the long lines at the grocery store on a weekend when you’d rather be sleeping in?

So if “those” kinds of fantasies are healthy, what about sexual fantasies?  Aren’t they healthy, too?

Not if you’re a woman…

There seems to be a common misconception in our culture that women shouldn’t have sexual fantasies. I mean there are booty and booby magazines by the hundreds, half-naked women on cars for men to lust after so they will go and shop for that vehicle and more—because retail and Hollywood figured out a long time ago that sex sells. But that’s okay, because it sells to men.

Then along comes a little book call 50 Shades of Grey and suddenly “Mommy porn” is born and it’s astounding just how many readers gobbled it up. It became the numbers 1, 2, 3 best sellers (with its two sequels) in weeks. It blew the top of this frothing pit of sexual fantasy for women from college co-eds to soccer moms to silver-haired grandmas and I know for a fact at least one great-grandma in a wheelchair.

As a romance reader for more than three decades and an author, was I shocked by this? Of course not, what is a romance novel but a variant of a sexual fantasy? What is the BDSM sub-genre but a sexual fantasy? What about a ménage?

But you’re not supposed to talk about it…

It’s 2012 and we’re not supposed to talk about liking sex. Apparently according to some people, we’re not supposed to talk about sex at all. Some people believe that if you add enough sex to a story it will sell no matter how good that story is and some believe that if sex isn’t an extension of an organic relationship between the characters (whether it’s an MF, MFM, MMFM, MMF, or MFMMMMM – yes ladies, those books do exist) then it’s just porn written to sell.

Wanna know a secret?

It doesn’t matter.  It really doesn’t. I promise you that two years ago, I used to say “I can’t write sex scenes.”  It wasn’t a matter that I couldn’t write them, I was just embarrassed by it.  Yes, embarrassed.  Like so many women I felt that if I said I “liked” to write sex scenes or that I wanted to write them, it should only be said quietly to those people who knew me very well and who would, of course, keep it private.

Because we’re really not suppose to like sex or talk about it.

When I was little, my grandmother always edited the sex scenes when she read her Harlequins to me and that makes sense, because seriously – who is going to read sex to a kid? Exactly – really creepy people. But for years, she referred to it as “cleaning” or “taking a nap.”  Even when I was an adult, she wouldn’t say the word sex – but I guarantee you that the books she was reading had loads of it in there.

We’re embarrassed by this because we’ve been told that in our society it’s not okay to like sex. I mean, you can, but only if you keep it to yourself.

I think I’m tired of keeping it to myself. I like sex. I like to read good sex scenes and I like to write them. I recently released a book in February called Cassandra’s Dilemma that featured a polyamorous relationship. I wasn’t really sure how that would go for me, but the characters refused to be anything else and I believe in going where my characters take me. But when it came to promoting it, I kind of choked a little—why?

Because it had sex and a lot of it.

I didn’t really think about that until recently when I finished Jacob’s Trial in edits and had it queued up for its release date. It’s the second book in the series after Cassandra’s Dilemma and it has sex – lots of sex in it. And you know what. I am thrilled about this book and I don’t feel any of those twinges that I felt with Cassandra’s Dilemma. In part because I realized that even though I’ve never been particularly shy about the subject, I was still trying to look at myself through the lens of a conservative culture that frowns and labels books with open sexuality “mommy porn.”

Why a ménage?

I started off calling this blog why a ménage and I’m going to answer this right now. Because it’s a great sexual fantasy to imagine two, alpha males who care about you so much that they put aside some of that innate, biological competitiveness to be with you emotionally, mentally and yes, sexually.  The physical intimacy in a ménage is just the tip of the iceberg, but it’s a healthy fantasy and I loved writing Jacob, Cassie, and Helcyon’s journey to finding each other and finding a balance in that relationship.

Are sexual fantasies worth it? Absolutely. Because a sexual fantasy is all about you and that’s why we like to read books that explore the fantasies we might have and why many authors like to write them. Your fantasy is healthy, don’t let anyone tell you otherwise.

I like sex. I hope you do, too.  Because sex feels good and sexual fantasies should, too. Without our fantasies, life would be pretty dull.

I’d love for you to leave a comment on anything you feel like saying on the subject. I’m not going to ask you if you have sexual fantasies or what they are, but I will give away one copy of Jacob’s Trial to one lucky commentator and I’ll announce that here in the comments on Thursday, June 7!

The Thunder Horse Family of North Dakota

People are always asking me where I get all my ideas. The answer is…everywhere! The Thunder Horse brothers grew out of several encounters. An interesting name of a Marine Corps Officer who happened to be a Kiowa native from Oklahoma, a story about the wild horses in the Badlands and my time spent in North Dakota, traveling across the plains and visiting the Badlands. Put all those elements together, add murders, bad guys and there you have it!

Thunder Horse Heritage
Harlequin Intrigue
June 2012

They once exchanged their wedding vows. Now he vows to keep her alive.

She’d been his wife for barely a day and now FBI agent Tuck Thunder Horse was responsible for identifying her body. So he was more than shocked when Julia Anderson turned up very much alive-and on the run. Julia confessed to witnessing a murder and now needs Tuck to help her stay alive…and protect the baby he hadn’t known she’d had.

Julia and Tuck’s marriage might not have lasted, but there was not time for recriminations with a killer on their trail. As Tuck struggles to put their painful past behind them he can’t help but find himself overwhelmed by his love for his little daughter…and his still-burning passion for Julia. Unable to trust anyone but each other, they know working together is the only way to safeguard their child. Could their one-day marriage turn into a life-long adventure?

Buy at Amazon
Buy at Barnes & Noble

THUNDER HORSE SERIES:
HOSTAGE TO THUNDER HORSE
THUNDER HORSE HERITAGE
THUNDER HORSE REDEMPTION

About the Author:
Elle James spent twenty years livin’ and lovin’ in South Texas, ranching horses, cattle, goats, ostriches and emus. A former IT professional, Elle is proud to be writing full-time, penning intrigues and paranormal adventures that keep her readers on the edge of their seats. Now living in northwest Arkansas, she isn’t wrangling cattle, she’s wrangling her muses, a malti-poo and yorkie. When she’s not at her computer, she’s traveling, out snow-skiing, boating, or riding her ATV, dreaming up new stories.

You can reach Elle James at www.ellejames.com or email her at ellejames@earthlink.net. Also see her sexier alter ego Myla Jackson at www.mylajackson.com.

How villainous should a villain be and how do you balance him out?

Note: Leave a comment. One lucky person will a print copy of my best seller Joy Ride.

First of all, thanks to Delilah for hosting me today. She’s been one of my aspirational authors from the day I joined my RWA chapter and met her. The lady knows how to turn a fine word!

When writing a villain in an erotic romance the question always sits there as to how totally bad the villain should be. And is he or she a major player in the story or just a means to an end.

The dictionary defines a villain as an evil character in a story. The villain usually is usually referred to as the antagonist the character who tends to have a negative effect on other characters. A villain is “a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot.”

When I was creating the villain for Out of Control he was definitely not a deliciously wicked person. In fact, he’s the kind of person you want to shoot on site. He’s a major, major player in the story, because the history of his interaction with the heroine is the pivot on which the entire story turns.

“He sat in his den, pouring another shot of his favorite, aged whiskey, hoping it would calm his nerves. His hand trembled slightly as he lifted the glass to his lips again.

The whiskey burned as it slid down his throat, but it was a good sensation of heat. Comforting. Settling his jittery nerves. Last night’s little…adventure…had soothed him for a while but seeing her again this morning had jacked him up again. Brought all those tiny lovelies back again.

She had returned, his elusive little flower. This morning, he’d seen her entering Cole Landry’s office. So sweet, just like he remembered.

He’d Googled Dana Moretti last night on the computer, and the face looking back at him made his blood run hot all over again. He’d never forgotten his little Carrie. She’d been special. The only one who hadn’t cried out. The only one who’d struggled against him, turning him on with her odd sense of bravery. Now she was back. Finally. After all these years. She wasn’t getting away from him again. Not this time.”

And the heroine. The fear he instilled has been with her for most of her life. How would she feel being back in the place where her life took a turn for the worse with the villain still at large? What effect would it have on her digging into the files of the other crimes, ones where the victims hadn’t been lucky enough to escape as she had?

“She studied the screen on her laptop. The notes she’d transferred from her study of the case files stared back at her. There was nothing dressed up about the facts. They were brutal. Gruesome, even, and very explicit. The deputies who’d found the bodies had left nothing to the imagination. The pictures they conjured were like something out of a torture chamber.

A shiver skittered over her spine as she felt the ghost touch of those calloused fingers probing her body, heard Kylie’s high-pitched little screams. Remembered the terrible pain. Felt the tape ripped from her mouth and strange hands trying to be gentle with her.

When she’d seen Kylie’s body, she’d thrown her head back and screamed so long and hard her throat ended up raw for days. She’d fought to get to her sister, but other hands restrained her, voices tried to soothe her, and finally the sting of a needle had plunged her into blackness.

Now, with each case she examined, she relived it over and over again. Her stomach convulsed, and once more, she felt like throwing up.”

And then of course I needed a hero who was heroic enough to balance the villain, because I’d taken a chance and made the villain a totally despicable person.

“She was still rocking when she heard sirens in the background and the squealing of tires as a car–maybe more than one–pulled up behind her. Then her door was yanked open and Cole was crouching beside her, unbuckling her seat belt, putting one arm around her and smoothing back her hair.

“It’s okay.” His voice was calm and reassuring. “It’s okay, Dana. I’ll take care of whatever it is.” Read the rest of this entry »

What Makes a Good Sex Scene?

I can tell you that question occupies far too much of a romance writer’s mental space. 🙂

We all know the usual responses:

1.It has to be true and specific to the characters.

2. It should be a part of their emotional as well as physical attraction.

3. There should be a reason for the sex itself to be on the page.

But the deep dark secret is that we all want something we haven’t seen before. A tall order for a writer but since I want that as a reader too, I spend a lot of time thinking about that extra special thing I can add without losing the essentials of the emotional connection.

Some writers go with unusual sexual positions, added partners, added toys and not quite mainstream ways of having sex.

I’ve done some of these scenes.

Two of my books, Freya’s Gift (Samhain) and Dinah of Seneca (The Wild Rose Press), feature a fertility ritual with at least three participants. And maybe a little pagan-style historical drugs to get things rolling. I say this jokingly but I wanted those sex scenes to be earthy and intense. If they were hot to the readers too, great. My first priority was to convey the experience of what it was like for the participants because the rituals meant a great deal to them and were part of their emotional healing after great tragedy. The ancient world was not often a nice place.

But pagan rituals only work in pagan times.

Modern romances have modern ways of looking at sex. When I decided to write a superhero romance series, I admit that part of the attraction for me was coming up with unique ways to use those abilities during sex. Because, really, what’s the point of having a superpower if you can’t put it to good use? 🙂

In Phoenix Rising, the first book in the superhero series, the hero is a fire starter and a telekinetic. Now, telekinesis is very helpful during sex. It’s somewhat like having another hand. 🙂 But since Alec Farley also had an explosive power and could control fire, I wanted the other big sex scene to also be literally explosive. One near-nuclear explosion and a little bit of flying and I had it. I think it worked pretty well for the characters and for the readers.

Luminous, the second book in the series, is a more down to earth story, The first tale is more like an X-Men story. Luminous is a Batman-inspired urban story with a heroine named Noir who hides her invisibility under layers of intimidating black leather. Emotionally, shedding those layers is big obstacle for her. Because at least when she’s wearing them, she can be seen. When naked, there’s nothing to see.

Her hero, Aloysius James, is a police detective with a sarcastic streak and a hidden idealism. He has no powers other than he’s unusually perceptive and he sees right through Noir’s tough shell. Still, he’s not sure how to approach a woman he can’t see, even if he does think she fills out the black leather in all the right ways.

Aha, I thought. Now there’s a challenge. Write a sex scene where one partner literally cannot *see* the other. No facial expression, no clues from physical movement. Touch alone.

We often overlook the importance of touch. For example, when I was walking in the woods with my son the other day, I closed my eyes. Instantly, the ground beneath my feet felt different. Before, it had seemed solid and flat. But now that I was paying attention to what my feet were experiencing, it felt like anything but a flat surface. All the slight rises and dips were there. I felt the twigs I stepped on through my sneakers.

It seemed to me that a sex scene by touch alone could offer an entirely different perspective. They’re both naked, only one is physically exposed while the other is emotionally naked. It’s tender and sweet and, I hope, hot. It suits both of them and the story. So I have high hopes that it will suit readers as well.

As for the next sex scene, in the third book, Phoenix Legacy (coming in November), I went in a completely opposite direction. Tender isn’t a word I’d use. At all. But when you’ve got a hero hopelessly addicted to pain because of the adrenaline that flows when he psychically heals his injuries, sex becomes an entirely different kind of challenge.

You can find Luminous either at the Samhain store or the major ebook retails like Amazon. Information and excerpts about the other books can be found on my website, www.corrina-lawson.com

Links:
My author page on Samhain
My author page on Amazon
My website

Corrina is former newspaper reporter with a degree in journalism from Boston University. She turned to writing fiction after her twins were born (they were kids three and four) to save her sanity.

Corrina is currently a senior editor of GeekMom and a core contributor to its brother site, Geek Dad, both on Wired.com.  She also writes for Sequential Tart, a webzine about comics and pop culture written solely by women. Often you can find her hanging out on comic book writer Gail Simone’s forum on Jinxworld.

She has been a finalist in the national Golden Heart contest sponsored by the Romance Writers of America and is the winner of several regional RWA contests. Phoenix Rising, her first full-length novel with Samhain, was a Samhain bestseller.

Memorial day memories

I’ve always looked forward to Memorial Day. I was a Navy brat and we would have the best celebrations with my Dad, and his friends. I loved listening to their stories about the submarine they were assigned to, and all the exciting places they visited. I had strict Military values instilled on me at an early age. I was taught to respect, and give thanks to anyone who served our country.

Ever since 9/11 I have seen many changes in our military, but the one that is nearest to my heart is how we back our Military men and women more than ever. We  openly acknowledge what they do for us by stopping and thanking them for their service. Our country is a safer place because of the sacrifices they have made.

I understand what they have had to give up because It has always been a part of my life from a young Navy brat to a Navy wife, and now a military mom. I have three in the service, my two sons serve our Navy and my daughter is part of the Marines. As a Mother I have had many sleepless nights. My children have served in Iraq, Afghanistan, and my oldest son was a Diplomat working with the North Koreans during their time of aggression. I am very proud of them and it warms my heart when I see a stranger salute them as they walk by.

I’m sure you can see why Romanatic Suspense is my favorite genre to read, and the one I write. The Seals, Special Ops men and our government agents have always fascinated me. I love the intrigue and mystery during a mission and how every move they make affects their family and team.

In my Guardians of Hope series you follow a group of men made up of FBI Agents, Navy Seals and Special Ops  working together to track down a ring of gun smugglers and drug manufacturers who threaten our freedom and the safety of our families here at home.

To be released late 2012, early 2013 through Black Opal Book, Rescued from the Dark:

What if you woke up from a nightmare, trapped in a world of darkness, with no memory of how you got there?  Rescued from the Dark is a passionate, gripping story about  FBI agent, Jason Michaels, confronting his duty to his country, and struggling with his feelings for a woman with no memory of  their love.

Undercover Agent, Jason Michaels, infiltrates the terrorist cell and risks everything, even his life, to save the FBI intern who stole his heart, then walked away. Once Mercy wakes from her coma Jason struggles with the fact that she does not remember what happened, but anguishes with the idea that she believes their unborn child belongs to her ex. Jason soon realizes the terrorists vow to get her back to claim their secrets locked in her memory, no matter what the cost. In a race against time, Jason and Mercy struggle to fight their attraction, and put their differences aside, as they launch a manhunt to save their country and each other.

For more information and sneak peaks into my books visit me at:

Website:    www.lyndakayefrazier.com
Blog:    http://lyndafrazier.blogspot.com
Twitter: Lynda_kaye
Facebook:   http://www.facebook.com/pages/Lynda-Kaye-Frazier/189048967838229

See posting just beneath this to learn who won the latest contest
and what’s up for grabs with the brand new contest! ~DD

Branding and Sub-genres in the Romance World

I’m fairly new to this writing business, and I’ve been treating the entire thing as a game. But it’s a game that I take seriously, and one that I’d like to win. My playfulness has made me eager to experiment with different genres and sub-genres, but my desire for victory has kept me conscious of the importance of developing an author ‘brand’. The two approaches initially seemed like they were in conflict with each other, but I’ve lately been thinking (and hoping) that maybe they aren’t.

In writing terms, ‘branding’ means that a reader should know what to expect from an author. We are taught to develop name recognition by giving the reader a recognizable product in each book. Superstars like Stephen King or JK Rowling may try branching out from their original genre, but for most authors, it’s expected that we will be more consistent.

For romance writers, it’s often not considered enough that we limit ourselves to romance; we’re frequently expected to stick to a specific sub-genre as well. When I feel like a good contemporary with interesting characters and a touch of humour, I look for Dani Alexander; if I want something a bit more dramatic, maybe I look for Sue Brown. Fantasy romance? Emily Veinglory. M/M Mystery? Rick Reed. Most of these authors write other sub-genres as well (except for Dani, who needs to stop making silly covers and WRITE FASTER), but they’re considered to have a specialty. And beginning authors are encouraged to develop their own specialties so readers can start to develop ‘brand loyalty.’

I started out strong on that front. Contemporary m/m, or m/m/m. Often with horses. Often set in Canada. I don’t want to toot my own horn, but if you’re looking for a contemporary m/m romance set on a Canadian horse farm – I’m your girl!

But then something happened. I wrote m/f. Shining Armor has my favorite strong, handsome, and vaguely confused male character, but this time, he’s falling in love with a woman! And there’s another anomaly coming out this fall when Carina publishes Shadow Valley. Joe Cody would have been HOT as a gay guy, but, no, he had to be straight. And he’s pretty hot that way, too.

And then I wrote science fiction! The Shift is “Gay Alternate Worlds” according to Samhain. I say, it’s SUPER HEROES! Yippeeeee! Fun! Don’t even get me started on the YA novel that’s coming out under a different pen name. Writing… once you start, it’s hard to stop!

So, I’m destroying my brand, and I don’t seem to care. I’m hoping readers won’t, either. So far, I’ve gotten an encouraging review for The Shift that acknowledged that it was a departure but said, “I think it is awesome when an author tries new plots and new characters instead of repeating the same thing in every book.” (Reviews by Jesse Wave) I’m hoping that most readers feel this way. I’m pretty sure that I do. If Emily Veinglory can make me believe in the romance of a fantasy setting and I see her name on a historical, I think I’m going to trust her to make me believe in the romance there, too.

Hopefully, people will take a chance on me, too. I like to think that I’m creating a brand, but it’s not tightly linked to sub-genre. Instead, I hope that my writing will appeal to people who want realistic characters – sometimes self-absorbed, self-pitying, or otherwise annoying, but realistic. I hope that my writing always has drama, and always has humour. And whether they’re part of the central romance or not, I absolutely insist that my stories always have strong female characters who would be absolutely capable of carrying their own stories, if they so chose!

How do you guys feel? Do your favorite authors mix it up, or stick to one sub-genre? Would you follow them if they branched out? What is it that makes you keep coming back for more?

Kate Sherwood
www.katesherwoodbooks.com
http://kate-sherwood.dreamwidth.org/