I’ll be heading out of town tomorrow for a plotting bootcamp in Jackson, Mississippi. I have fun stuff lined up for you while I’m gone and some great guests! And I started today because I have a million things to do before I leave. Take a look at the line-up—then be sure to drop by and play with my guests. On Saturday, I’ll be running a little contest for a free book, so be sure to post for your chance to win! ~DD
Friday: Lacy Danes
Saturday Snippet & contest
Sunday: Katriena Knights
The Accidental Series
By Teresa Noelle Roberts
This week, Phaze released my latest erotic fantasy/paranormal romance, Threshing the Grain: Seasons of Sorania Cycle 3.
Only if you look on my author page at Phaze, you won’t see covers that say Seasons of Sorania Cycle 1 and 2. The books are there, all right. Lady Sun Has Risen is Book 1 of the series and Rain at Midsummer is Book 2. If you read the blurbs, you’ll see the series mentioned. But I didn’t set out with the intention to write a series when I stared Lady Sun Has Risen.
It was supposed to be a one-off, a story written for a particular call that was a homage to Conan the Barbarian and other stories with slightly barbaric alpha heroes and semi-captured heroines. When I ran it by my critique partner, though, she said my world seemed too generic. She knew I’d been reading a lot about Arabic-ruled Spain in the Middle Ages and suggested I incorporate some elements of that rich setting. But that seemed too grounded in a specific monotheistic culture—and it was important to this story that the setting be a pagan one with multiple deities. So I stole some elements from the late Roman Empire and some from pre-Islamic Persia, added a lot of imagination—and being me, a healthy dollop of sex magic—and Sorania was born. In the process, my heroine ended up less ditzy, with real strengths of her own, even if she’s out of her depth, and my hero ended up less barbaric and more complex. Oh, and they both ended up kinky.
(Mind you, I missed the call deadline while doing the rewrites, but I ended up with a far better story.)
It seemed natural to return to this setting and elaborate on it for Rain at Midsummer. I’d mentioned that the mother of the Lady Sun hero was an escaped slave from a neighboring country. Her story deserved telling, and thus Rain at Midsummer was born.
Unfortunately I came up with the series title after I turned in Rain at Midsummer and approved the cover. Oops! Maybe someday they’ll be reissued with new covers.
But once I came up with the series title, it was obvious that the next book would involve the Harvest Festival and that it would be a much darker book. In the ancient world, harvest festivals were a time of rejoicing, but often had elements of mourning for the vegetation god, cut down so humans might live—and in the very ancient world, the sacrifice made in the god’s honor might not have been a barnyard animal, but a young man. Fall pagan holidays also call to mind Samhain, Halloween, Day of the Dead. Threshing the Grain plays on these elements of horror and pits the hero and heroine of Lady Sun has Risen, Adimir and Miryea, against a demonic threat that demands Adimir sacrifice his life in exchange for his people’s safety and prosperity.
Adimir’s a nobleman, and in the remote province where he was raised, that means he has magical bonds enforcing his responsibility to the land and the people who live on it. In his worldview, sacrificing himself to a demon to save others might be his destiny. Miryea is city-raised, the child of a university-educated doctor and studying medicine herself. Although the events in Lady Sun awakened her own magic, she takes the “modern” (roughly 5th century AD) view that the gods let you shape your own fate—and she’s determined to save her husband by any means necessary.
Even means that might undermine the very foundations of their marriage.
Did I mention there are mysterious, sexy satyrs? And kinky sex, of both male-dom and fem-domme varieties? And both blood magic and sex magic?
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