Today is another gloomy day. It’s quite stormy out, and not the typical weather that revs up my creative writing juices. When I glanced at my to-do writing list and potential topics, none jumped out at me. I have plenty that I need to be doing, and the motivation to get going, but not the ideas. Generally, when I find myself stuck in such a situation, I switch to a different project with the hope to salvage at least part of the day, and that a change of pace will spark an idea. That didn’t happen today. Instead, I kept reverting to the questions that were holding my creativity captive on my WIPs. What do readers want?
As an author, I’m always interested in what readers expect from me. Anyone who has ever contacted me about one of my books or short stories with constructive criticism knows that I take what is said seriously. When readers ask, I do my best to deliver. However, sometimes, I have to wonder before I start writing questions that do not surface. For example, do readers like it when writers change their style? That is, if a writer is known for writing in first person, is it off-putting for readers when that writer writes a novel in third person? Or what about a writer who is known for writing steamy romances who changes it up a bit by writing a sweet (sometimes called “clean”) romance? Do readers enjoy learning about authors in the bios of their books? What tropes are romance readers sick to death of?
Another set of questions that crossed my mind was about fads and trends. Who really sets them? Is it the publishing houses or the readers? (Chicken or egg?) Are readers reading what’s out there because that’s all that’s out there? Or are publishers chasing the trends, seeing that a certain type of book does well or is popular and then pushing to publish only those types of books? Are readers truly put off by prologues, or do editors just not dislike them? Are readers more into realistic themes and/or stories or more into fantasy-type romance? Do readers prefer multiple points of view in stories or a singular one?
When I was younger, I loved reading details in book and would get lost in descriptions of rooms and costumes. I wanted the author to paint a world for me and leave no stone unturned. (To be honest, I still do.) Yet, it’s frequently said these days that readers prefer that writers only provide a sketch for the readers to fill in all of the colors and fine strokes and that details only add clutter. It’s said that readers do not want to wade through any descriptions because it slows the pace to less than the action sequence in a videogame. (Maybe that’s why I’m not a gamer.) Thus, do readers want more description in their romances or is less more? Or is that readers want more dialogue than description?
It’s an intricate dance between authors and readers.
Now, it’s time for you to sound off. What do you think? Do you agree or disagree with these points? Let me know your thoughts and opinions in the comment section. Also, let me know if you would like me to cover more of these types of topics or dive deeper into this one. If you like this post, please click the like button and share it. If you’re not following me on Creole Bayou blog, what are you waiting for? There’s always room at the bayou.
When the scandal of a double homicide threatens to destroy his career, this billionaire hockey player hires an ambitious sports agent to improve his public image. It’s time to let the puckery begin.
Timothée Croneau is that jock—the bad boy superstar with the naughty reputation. He’s handsome, arrogant, and a billionaire. He’s also the number one person-of-interest in a double homicide and recently traded to a losing team who is showing him no love. And wouldn’t it be just his luck that his career splashed in the toilet six months after his long-time agent kicked the bucket? Now, he’s stuck with Ryker Kitsch. An agent is supposed to fix his life, though, not break his heart.
Speaking of breaks, ex-athlete Ryker Kitsch wants his in the sports agency realm. He sees his chance to make a name for himself by helping rebrand his agency’s newly acquired hockey star, Timothée Croneau. The guy needs every lick of positive PR he can get. So, why is the devilishly gorgeous forward fighting him at every step and leaving Ryker to wonder if he’s been hired for a babysitting gig?
The mess Timothée is stirring was never in any contact Ryker was hired to handle. One thing’s for sure. Whether it’s a forecheck or backcheck, collision is inevitable.
Missed the three in my hockey romance series? No frets. Out of the Penalty Box (book #1), where it is one minute in the box or a lifetime out, is available at http://amzn.to/2Bhnngw. It also can be ordered on iTunes, Nook, or Kobo. For more links where to purchase or to read the blurb, please visit http://bit.ly/2i9SqpH.
For more of my stories, shenanigans, giveaways, and more, check out my blog, Creole Bayou, www.genevivechambleeconnect.wordpress.com. New posts are made on Wednesdays, and everything is raw and unscathed. Climb on in a pirogue and join me on the bayou.
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Until next time, happy reading and much romance. Laissez le bon temps rouler.